Archive for the ‘General RQ news’ Category

…still here

March 12th, 2009

It’s been a cold winter here in Toronto, though I hear the West has had its share too. Applied to the Short Dramatic Film Program here at the Canadian Film Centre and was accepted with a story called “How Eunice Got Her Baby”. This little film began life as a fabulous short story by Canadian author Nicholas Ruddock. He’s an amazing writer with a real sensitivity to spirit. That’s what drew me to the short story. He’s got a novel coming out this year as well – can’t wait to read it.

Two of my writing peers from last term, Dane Clark and Linsey Stewart wrote the “Eunice” adaptation and we just completed shooting on Feb 27th.

The fabulously talented Aaron Poole plays Darryl. He recently won the ACTRA award for his role in “This Beautiful City” and has been nominated for a Genie for the same role. Kate Corbett is Florence, she is also a force to be reckoned with. Vivien Endicott-Douglas is Eunice.  Such a privilege to watch these actors dive into the script.

Our rough cut screening was today and it went very well.  Lots to do still, but all in all, the response was very positive. Back in the trenches again tomorrow with Kye. Amazing editor.

Will write more as we get closer to the June screening in Toronto.

If you’re interested in seeing stills, our script supervisor was snapping away like the damn paparazzi:

http://picasaweb.google.com/diacoram/EUNICE?feat=email#

Toronto & The CFC

August 24th, 2008

It’s been about six weeks since I left Vancouver. The Director’s Residency here has been amazing so far – supportive mentors and lots of practical hands-on days mixed with analyzing etc.  It’s great to work alongside the other Residents, watching everyone finesse their style and take on challenges.  Big Daddy himself, Norman Jewison, is coming in this week for a lecture and we’re all looking forward to it.  The feature is coming along, finding its way. Our homework during TIFF is to go see as many movies as possible. Wow, I love this program.

Eastward Bound

May 18th, 2008

Things will unfold as they do and I have been fortunate to be accepted into the Canadian Film Centre’s Directors’ Lab residency program.  So it’s off to Toronto I go for a July start.  In spite of having to turn my Westcoast life upside down to make this move I am, in fact, very excited and honoured to be going.

Also finishing up another short for this year’s festival circuit and doing my first music video for Josh and Ben.  Josh and Ben Searles have been making the fabulous music for my last few films.  Keep posted to find out where to view it.

Will keep everything updated from the Big Smoke.  Here’s to movie madness.

Back in the saddle

February 13th, 2008

Feels like spring today. What a relief after a winter of mulling and processing and getting the business part of things done.

“a love poem” is playing end of March in Toronto at the Female Eye Film Festival.

“alice & bastard” just played again in Spain.

Embarking on the first draft phase of the feature after completing the treatment last fall. It’s nice to be able to write and have the funding for it. So glad the weather is turning around……another fresh year of projects.

viff 2007 completed – “Nightmare on Cambie Street”

November 4th, 2007

The home town festival has been over now for a couple of weeks and it feels like I am just now coming out of the dark. It was a wild and wonderful time, saturated with movies, friends and new acquaintances. Quite a few interviews with “Nightmare” – guess it’s a bit of a raw nerve here in town, as it should be. DVDs are on sale at Black Dog on Cambie now in case you want your own souvenir copy. Check out the press link at the top right of this page for articles in the Sun and Courier – also some great moments with Rick Cluff on CBC’s Early Edition, Global News, Breakfast Television, Shaw’s Express, Nik and Val on CFUN, Co-op Radio and more. Wonderful opportunities to talk about the film and Cambie situation.  For details on interviews, Google “Nightmare on Cambie Street”.

Thanks to all of you who came out and supported the film on a busy Thanksgiving weekend.

The Vancouver Sun “Nightmare on Cambie Street”

October 6th, 2007

A short look at construction on Cambie

Dan Haves, Special to the Vancouver Sun

Published: Saturday, October 06, 2007

If anything deserves to be immortalized on film, it is the Canada Line construction on Cambie Street.

Ana Valine will make her third consecutive appearance at the festival this year with her short film Nightmare on Cambie Street.  The film, which was shot in one day, looks at the destruction and loss that has come at the hands of the Cambie Corridor construction.

Valine’s previous two entries at the festival have brought her recognition in the form of two Leo Award nominations; the award celebrates the best in British Columbian television and film production. Her work has also been screened overseas at festivals in Russia and Spain.  All of this from a woman who made her first independent project just three years ago.

“I feel very lucky,” she says.  “Especially since I’m still really exploring the craft.”

Valine, who got her start in the craft by changing garbages and parking cars as a production assistant, says persistence was key to getting her foot in the door.

“I pestered the crew with questions the whole time with ‘what’s this, what’s that, what does this do?'” she says.

After venturing out on her own and filming her first short – alice and bastard – she also got a chance to attend her first festival as a contributor in 2005.  She didn’t stop there.

“I challenged myself to do a short every year and hope that it gets accepted (into the festival) so I can get that magic pass that lets me sit in the dark and watch movies for two weeks.”

Valine says that Vancouver provides a lot of support and she attributes much of that to her success.

“This is the community where I started learning and continue to learn everyday,” she says.  “This familiarity and trust goes a long way in terms of being able to translate a vision.”

Her family is another source of encouragement.

“I keep telling my parents that their friends are going to stop coming over because every time they have visitors they insist on showing (my films).”

Her latest film, which will be screened at the festival on Oct. 6 and 7, speaks directly to Vancouverites as it delves deep into to the Cambie Corridor debate. The film, with a title borrowed from the horror genre, paints a grim fate of Cambie Street business owners.

“I kind of started with a tongue in cheek approach, I mean ‘no one’s dying here,’ let’s get a sense of humour about this,'” Valine says. “But as I worked on it, did some more research, and learned more about it, I realized, ‘You know what, people are dying here'”.

The director, who still keeps in contact with some of the Cambie Street business owners, was disturbed by the desolate shop windows.

“The day I filmed there were 35 businesses closed, and now there are 40,” she says. “I couldn’t be glib about it anymore, because I was really affected by it.

“It’s about bringing awareness to (the situation) now,” she says of the project’s new focus. “By the time the Olympics happen, everything will be underground again and there will be a subway to the airport and everyone will be happy.”

The Cambie Street project is certainly not Valine’s last as she hopes to make films for many years to come.  “I’m working at something I love to do,” she says.  “It’s long, hard hours, but it’s a hell of a good time.”

Nightmare on Cambie screens on Oct. 6 at 9:30 p.m. and Oct 7 at 4 p.m. at the Pacific Cinematheque.

Vancouver Courier “Nightmare on Cambie Street”

October 3rd, 2007

‘Darkumentary’ captures Cambie construction horror

Sandra Thomas, Vancouver Courier

Published: Wednesday, October 03, 2007

When local filmmaker Ana Valine first decided to make a documentary about the ongoing construction on Cambie Street, she initially thought she’d take a humourous look at the issue.

“I thought, ‘No one’s dying down there, I’ll do it as a spoof,'” Valine says. “But once I started asking questions, I realized this is serious stuff, so my film ended up being a lot more serious and dark than I planned.”

That’s not to say Nightmare on Cambie Street doesn’t have its funny moments, particularly scenes shot with an unidentified foul-mouthed angry man whose rant gives Canadian comedian Rick Mercer a run for his money. As well, Valine successfully gives her 15-minute “darkumentary,” which premiers this week at the Vancouver International Film Festival, the look and feel of a B-movie horror by using Psycho-style music and creepy close ups.

Cut and cover tunneling began on Cambie Street two years ago as part of the ongoing Canada Line rapid transit project. Cut and cover tunneling is done by digging huge craters in the street and building the rapid transit line in the hole, section by section. When complete, the Canada Line will connect Vancouver to Richmond and the Vancouver International Airport. The project was initially proposed to include bore tunneling along most of Cambie, so merchants were caught off guard with the change of plans. Since the tunneling began, almost 40 businesses have been forced to close or relocate because of traffic disruptions due to construction.

Valine says she purposefully didn’t research all of the politics of the controversy before she hit the street. Accompanied by two friends who volunteered as her film crew, she shot the movie guerrilla-style in one day and paid for it with her credit card. During the filming, Valine grew more and more upset as the business owners and residents she met told her of how the construction has devastated their lives.

“It’s one thing to put up with the noise and the disruption–it’s another thing to lose your business,” Valine says. “I asked the owner of the Don Don [noodle café] what he was going to do now, and he said, ‘I guess I’ll have to put on a suit and look for another job.’ It’s ridiculous.”

At one point, Valine and crew filmed inside one of the deep trenches under construction. As they emerged from the pit at 12th Avenue near city hall, coincidently, Mayor Sam Sullivan was going by. Valine asked the mayor if he’d be willing to speak on camera and he agreed. In the film Sullivan explains how short-term pain is needed for long-term gain. “It was just a matter of timing, and he was really very gracious.”

As for the possibility of a happy ending for any of the merchants on Cambie, Valine isn’t so sure.

“I guess that depends on who you ask,” she says. “It’s been absolutely devastating for 40 businesses so there will be no happy ending for them. They’re done. I also think [Cambie Street] will lose its charm and become just another generic sleek neighbourhood.”

Valine’s directorial debut, Alice and Bastard, garnered two Golden Sheaf Awards at the Yorkton Short Film and Video Festival for best director as well as two Leo nominations for emerging filmmaker. Her second short, A Love Poem, is currently touring film festivals.

Nightmare on Cambie Street screens with Chinook Wind at the Vancouver International Film Festival, Oct. 6 and 7, at Pacific Cinematheque. Go to www.viff.org for more info.

© Vancouver Courier 2007

Article in The Western Sandard

May 21st, 2007

The biggest little film fest

Short films have a long impact thanks to Yorkton’s unique film and video festival

Sheila Thistlethwaite – May 21, 2007

“Vancouver filmmaker Ana Valine says winning the best emerging filmmaker and best fiction director awards “opened a lot of doors.” Her Alice & Bastard has since won at other competitions in Spain and North America. She says the casual atmosphere at Yorkton makes everybody more approachable. “There’s a high calibre of people, but the established film people take it as seriously as the emerging ones do.” As a result of a pitching session at last year’s festival, Telefilm Canada accepted Valine’s latest project.”

for the complete article:

http://www.westernstandard.ca/website/article.php?id=2522

alice & bastard at Northwest Film Festival, Portland

November 22nd, 2006

“Trailer trash, a TV repairman, strip joints, and a four year-old girl who sees beyond the grime with an innocence that is at once blissfully free and devilishly pert.” Steve Seid, Northwest Film and Video Festival

“alice & bastard” in the Yorkton Leader Post

June 3rd, 2006
Saturday » June 3 » 2006Saturday » June 3 » 2006
Soroka’s debut film collects award

Calvin Daniels
Special to The Leader-Post

Tuesday, May 30, 2006

YORKTON — Regina’s Jayden Soroka is the Best of Saskatchewan.

The first-time director earned the $750 Best of Saskatchewan Award for his film Under the Skin: Drugs, Dreams and Demons at the Yorkton Short Film and Video Festival.

“It’s an incredible experience to stand up there receiving an award,” said Soroka, who was feted during Saturday’s festivities at the Gallagher Centre. “It’s a humbling thing to be up there.”

As a rookie director, Soroka said the award put a stamp on something about which he already felt strongly. He said the story of prostitutes and drug addicts in Regina was one he felt needed to be told.

“I wanted to show they’re not just disposable people,” he said. “The people who have watched it have saw that, and that gave me confidence it was good.”

Soroka said the film is one that was hard to shoot at times, but the story pushed him.

“I experienced things I would never want to again, but I am glad I was there to capture it,” he said.

It’s a case where the film comes with a message.

“People need to know what’s happening in their community, so they can do something to change it,” he said.

Ville Fantome took home the coveted Golden Sheaf Award of Excellence, after previously capturing the Best Performing Arts/Entertainment Award, and the $500 Antoinette (Nettie) Kryski Award.

The film from director Raymond Saint-Jean, who also co-wrote the script, was made in Montreal.

First-time director Ana Valine was awarded the Golden Sheaf for Best Director Fiction. Valine also captured the inaugural presentation of the Emerging Film Makers Award, sponsored by the family of the late Grant McLean.

“I feel very small in the universe,” Valine said as she accepted the Emerging Film Makers Award.

She added it was an amazing moment to be accepting an award at North America’s oldest festival when it was her first directorial effort. Valine said the moment was special, just part of the unique feeling of being a filmmaker.

“It’s very magical the process of making film,” she said. “You take this little piece of your imagination . . . and you make it something tangible and project it on the wall.

“Then other people can see that piece of our minds. That’s incredible.”

Big Sugar was the night’s big multiple award winner. The Quebec-produced film by director Brian McKenna which “explores the dark past of 18th-century sugar plantations, and reveals the political power of today’s reigning sugar cartels,” according to the video catalogue, walked off with four Golden Sheafs. The film was named the Best History Documentary of the festival, and also earned awards for Best Research, Best Script Non-Fiction and Best Direction Non-Fiction.

Other films to each pick up multiple awards were: Dark Patterns: A Documentary Investigation Into the Death of Tom Thomson, Burnt Toast, and Patterns.

© The Leader-Post (Regina) 2006

Copyright © 2006 CanWest Interactive, a division of CanWest MediaWorks Publications, Inc.. All rights reserved.